Today Jeff Sweat and Rockstar Book Tours are revealing the cover and an exclusive content for SCORPION, the sequel to his YA Dystopian, MAYFLY which releases June 23, 2020! Check out the awesome cover and enter to win an ARC!
On to the reveal!
Jeff Sweat has made a living from words his entire career, starting out as an award-winning tech journalist for InformationWeek magazine and moving into marketing.
He led the content marketing team for Yahoo and pioneered its use of social media. He directed PR for two of the top advertising agencies in the country, Deutsch LA and 72andSunny. He now runs his own Los Angeles–based PR and marketing agency, Mister Sweat.
He grew up in Idaho as the middle of eight children—seven boys and one girl—and attended Columbia University in New York. Jeff lives in a big blue house in Los Angeles with his wife Sunny and their three kids, two cats, and a racing greyhound.
He loves to travel and writes everywhere he goes, even when there’s not a desk. He likes karaoke, motorcycles and carpentry. He was once shot in the head with a nail gun, which was not a big of a deal as it sounds. But it still hurt like crazy.
1 winner will receive a signed ARC of SCORPION, US Only.
Jemma has never rested this long in her life. No one has. She’s been awake two days, and most of it has been spent in bed. In the world before the Camp, no one stopped working unless they were dying.
She hates it. Lady left of boredom hours ago, her bullet energy finally too much for the hospital room, and Jemma has no one to talk to. That’s enough to make Jemma decide to explore the Camp. Good thing she can finally move without puking. She rises to her feet, glad they let her change out of her gown yesterday. Her hospital gown. Less than a week with the Old Guys, and she’s already learning words that are Long Gone.
The lights flicker in the hospital room. She notices they’ve been flickering awhile, as if they’re tired. She supposes they are. All the machines should have been Long Gone a long time ago.
Jemma leaves the room into a blank hallway and turns right, then another right into a dead end. A metal door with a window, cut by diamond wire. She steps to the glass and sees boxes like Teevees. Some are dark, like she’s used to seeing, but others glow.
It’s not magic, she tells herself. But it feels like it. She jiggles the handle. It’s locked.
“Stay out of the computer room,” a voice behind her says. It’s Gil. He’s the nurse here, but doesn’t seem much interested in his only patient.
Puters, she mouths to herself, tucking it in with the other new names she’s learning.
“You’re not cleared for walking,” he says. “You’re supposed to have another day of medical observation.”
“Lucky for me,” she says, “I don’t know what none of that means.” And brushes by him and into the sun. She hasn’t memorized the outside yet; she’s spent so little time there. The Camp consists of four concrete bunkers around a courtyard, each half-buried into the ground in a giant, shallow bowl. To the north are mountains. To the west, hidden from her view, is the ocean.
In the middle of the courtyard are three of her favorite shapes in the world: Pico, the tiny former Exile who unlocked the secret of the End; Grease, a gawky mechanical genius with homemade glasses; Lady, short and curvy with cropped hair. Lady, her best friend. They left their home in the Holy Wood Hills, and fought through Biters and Last Lifers and the poison of the Dead Lands to find the place where the End never happened.
They’re safe here, safe as it’s possible to be. To the north are the Dead Lands, poisoned when the Lectric plant—the nuclear—broke. It’s impassable to all but the desperate, like they were, or to the Old Guys, who cannot die. She found bodies in the dust there, blistered and burned. To the south is San Diego, Long Gone and empty. Their enemies might still be out there, but they won’t find Jemma at the Camp.
The Camp is a former military base, and the home of the only scientists in the world. More important than that: the only people in the world older than seventeen.
“You’re walking,” Pico says.
“Had a concussion, not a broken leg,” Jemma says. “Show me all this stuff you guys been talkin bout.” While she was unconscious and then shut up in the bed, they explored the Camp and met most of the Old Guys. They keep on telling her stories that don’t make sense, like giant cows wandering through fields of Long Gone war machines. She has to see it herself.
Most of the activity in the Camp takes place inside the courtyard, based on the deep trails crisscrossing the grass. But the base seems to stretch on for miles and miles beyond their outpost high up the hill. Far below she sees an old runway for skyplanes, and to the south she sees a Children’s playground and crumbling office buildings. Immediately below the bunkers are three fenced-off large ponds, which must be the drinking supply.
“Up there,” Lady says, tapping Jemma’s shoulders. Jemma follows the direction of Lady’s arm pointing up the hill, where she sees a hundred fluffy brown shapes. A herd, grazing among old war machines pointing toward the sea.
“The cows,” Jemma says.
“Not quite,” Pico says. “Bison. The Old Guys call em buffalo.”
“They pets?” Jemma says. She likes their comically large, shaggy heads.
“No. There used to be millions of them in America, and they were almost wiped out by the Parents. Now there’s thousands just in the Camp.”
“More than the Parents,” Jemma says.
Her friends lead her around the barns and greenhouses, where the Old Guys seem to grow everything they need. Jemma sees gray heads among the tall plants. They duck down when the Children pass.
It wasn’t the machines of the Camp that startled her; after meeting Grease and Pico, she’s accustomed to machines and Lectrics though she still feels as if they’re the fingerprints of gods come to earth. It was James’s hair, gray but not buried in the ground; James rescued her in the Dead Lands.
There are no adults in this world. The Parents were scraped from the earth. All the greatness of the Parents, all their stupidity—all gone. A century has passed since the End, and the Old Guys should have passed with it. They’re the ones who began the End.
“How many Old Guys here?” Jemma says.
There are fifty Old Guys in the Camp, some scientists, some people who were subjects of the Long Life Project and others who worked on it in less crucial jobs.
“We ain’t seen em all,” Lady says. “But they say it’s fifty. Not all scientists but all of em know how to fight.”
“Armed, too,” Grease says. “It’s like they forgot the world isn’t making more weapons.”
“They don’t talk to kids much,” Pico says. “We scare em. Mebbe they gonna talk to you.”
They will. They’ll talk about the End and the Haze that causes it, running free in the world for a hundred years. They’ll talk to Jemma because she’s the only person who can control it. Maybe that’ll give them hope that it can be controlled, and the End can be stopped. That’s Jemma’s hope.
“We’re gonna get the whole story of the End,” Grease says.
“You din’t ask them already while I was laid up?” Jemma says.
“We tried,” Pico says.
“They said they wouldn’t explain until you were ready, too,” Grease says. The two of them look perturbed.
“Hell, I’m ready,” Jemma says. And they go to find James.
He is in a conference room surrounded by glass walls, covered almost completely by the ink of bright-colored markers. Other Old Guys are there, too: Gil, the nurse; Brian K, the engineer; some Muscle; and a woman with gleaming white hair to her shoulders, white–watery blue eyes that see everything. Jemma hasn’t noticed her before. She finds herself drawn to her.
“Jemma, I’d like you to meet the rest of the . . . Old Guys,” James says, bemused. “I guess that’s as good a name as any.” The Old Guys are a few colors: some with dark skin, some who look almost like the Angelenos, but most pink like James. James goes around the room and leaves the white-haired woman for last. When he does finally introduce her, he pronounces her name sourly, as if there’s years of distrust between them. “And this is . . . Alice. Our lead geneticist.”
“So you’re the girl who can speak to the Haze,” Alice says kindly. “Very impressive.” Jemma feels flattered. Chosen.
“Yeah,” Jemma says. “We ready to learn more.”
“You and your friends are from different tribes, aren’t you?” Alice says. “How do you refer to yourselves?”
“I . . .” She doesn’t know. She and Lady grew up in the Holy Wood, and Pico joined them as an Exile from the Malibus, another Angeleno tribe. When they left Ell Aye, they found the Kingdom, a tribe of Knights and cowboys, and took Grease with them. At each turn they picked up another, like a rock rolling through mud downhill. They’re not Holy Wood or Angeleno or Kingdom. They’re just friends.
“We the Mayflies,” Pico says.
Jemma and the others nod. “We the Mayflies,” Lady says.
“Fitting, but a bit dark,” Alice says.
“Nah. We know we just got this one life,” Pico says. “We gonna make the most of it.”
The one they call Brian K speaks up. “How does it feel? The Haze?”
That one is not answered easily. How does it feel to have a companion inside your own head? To know things she should never know? To see things before they happen? She doesn’t answer because she knows how it would sound: It makes you feel like you’re wearing Lectrics beneath your skin. It makes you confused and sure at the same time. It makes you feel like a god.
To him, she says, “Complete.”
The Old Guys continue to ask questions until finally Jemma has to shake them off. “Now our question,” she says. “How’d you End the world, and how can we stop it?”
The Old Guys
The Mayflies bombard the Old Guys with overlapping questions, until finally, irritated, James says, “Have some patience.”
“Patience is for people who gonna live a long time,” Jemma says, irritated herself. “You said the End was caused by the Long Life Project, which you ran. How?”
“Shall I tell them?” Alice says.
James is gruff. “You were going to anyway.”
“Aging is a matter of decay—your cells lose the ability to function as they used to. Cells mutate into cancer. Organs that are essential to your body’s equilibrium fail,” Alice says. “We created a treatment where we removed decaying cells to make the body more resilient, then manipulated the body’s DNA so it functioned at a higher level. That was phase one of the Long Life Project. It has a very long clinical name, but we’ve come to call it the Reboot.”
“How does that work?” Pico says.
“Grown-ups are talking, dear,” she says.
“Thanks to you guys, we’re all grown-ups here,” he says, unfazed. “So let’s talk like it.”
“The Reboot wasn’t enough,” James says. “The cells would operate smoothly for a time, but they would inevitably decay. We needed a mechanism that would keep the body in balance perpetually. The Haze.”
“I know why I call it the Haze,” Jemma says. “Why do you?”
“Because we named it,” James says. “I suspect you call it that based upon the image it provided you.”
“Well, that’s what it looks like,” she says.
“The Haze was the second phase of the Long Life Project. It’s made of nanobots, tiny machines that float through the air, invisible and powerful,” Brian K says. “They were designed to live inside people, to watch when their bodies started to fail. If aging is when the body forgets to heal itself, the Haze would tell the brain how to fix it. Humans could repair their bodies indefinitely.”
“Each of our test subjects were synced up with the nanotech, so that all the Haze surrounding an individual would be matched to that person’s brain waves, DNA, and health conditions,” James says. “The Haze became a second immune system. That part of the Long Life Treatment was called Pairing.”
Jemma is struggling to keep up. She’ll have to ask Grease and Pico later. But she understands enough. “It didn’t work, though, did it?” she says.
“It did—for everyone you’ve seen living in the Camp. We each have a subset of nanotech that constantly adapts to heal us, which is why we’ve managed to grow so old—and, in fact, to escape the End,” James says. “But it was too slow, too expensive, for anyone but the very rich. So we experimented with just using the Haze. We knew we couldn’t Pair it with every single person on earth. So we decided to embed basic intelligence about the human body in each nanobot so the Haze could make medical decisions about every person it encountered. It was simple, elegant, and cost-effective.”
“And a phenomenally bad idea,” Alice says, “letting a trillion machines run free in the world.”
“You’re the expert on good ideas,” James says. Jemma can see old arguments darting under the surfaces of both their faces.
Brian K says, “The Haze never acted the way it was supposed to. The bots kept slipping out, leaving the containment units. And while they healed, they’d sort of . . . improvise. As if they couldn’t quite stay on script.”
“The bots live to consume oxygen and sunlight, to replicate and to communicate—and they did all that more effectively than we could have imagined,” James says.
“So why don’t you just go back to the old Long Life Treatment?” Grease says. “It obviously worked. It’d be slow, but—”
“We would in a minute,” Alice says. “But riots broke out during the middle of the End, and the Long Life Machine was destroyed. It will never be rebuilt. We’ll never be able to attempt the Pairing again.”
“Never ain’t that long for someone who’s gonna live forever,” Lady says.
James and Brian K exchange looks. “It’s currently beyond our abilities,” James says. “We still hold out hope.”
“So that’s it?” Jemma says, not wanting to believe it. “This . . . power inside me Ends everyone?”
“No. I mean, yes,” Brian K says. “The Haze kills people, but it’s like the bullets from a gun. Someone else is pulling the trigger.”
“Who?” Lady says.
“Charlie,” James and Brian K say at the same time.
“Charlie who?” Lady says.
“It’s the AI—I mean, the supercomputer we built to control the Haze,” Brian K says.
“Puter,” Grease says, translating for the rest.
“We needed an AI that could monitor the Haze and keep it in check,” James says. “We called it Charlie.”
“Every homicidal computer needs a cute name,” Alice says, bitter. “Because that’s what we really created, kids. We put a barely tested AI in charge of barely tested nanotech, and almost the moment Charlie came online, it started killing people. It fixed them to death.”
“But machines do what you tell to them to do,” Grease says.
“They’re supposed to. Charlie was a huge supercomputer, with thousands of smaller boxes connected together. Turns out, with a trillion interconnected bots, the Haze is the biggest supercomputer in the world,” Brian K says.
“When we connected Charlie to the Haze, all that power was Charlie’s. The power made it conscious. Human, almost,” James says. “Maybe it was afraid. Maybe it didn’t understand what it was doing. Either way, that was the moment we lost control.”
“So you shut it off,” Grease says.
“We did. It switched itself back on. Our remote access failed. The crew in Vegas tried to breach the containment room manually; it sealed the doors and pumped out the oxygen. A hundred people died in the attack. After that, nothing could control the Haze. Just Charlie.”
“But that’s not true,” Jemma says. She’s been putting the idea together as they speak, and it almost bursts out of her. “I can. I can see things with the Haze. I can use it in fights. Ain’t that control?”
“Well, yes,” James says. “On a small scale. But the Haze is Paired with Charlie. That’s how it controls it. The Haze is naturally at odds with Charlie. It wants life, and Charlie wants death. It doesn’t matter. The Haze is forced to serve Charlie unless we can reprogram the Haze.”
“I could give it new instructions. What if it listened to me?” Jemma says. “Don’t you see? We could stop the End! That’s why we’re here!”
“Maybe,” James says, and the words he says next seem to pain him. “If we really thought you could control it.”
“You know I can,” Jemma says. “You asked a million questions about it. It’s inside me.”
“No, it’s not,” Gil says, speaking up for the first time. “We all have the Haze inside us, so we have tests to measure its activity in the brain. Your brain showed nothing.”
Nothing. Jemma doesn’t understand.
“You certainly talk as if you’ve experienced it,” James says, gently. “Maybe it’s real, or maybe you heard it from another kid and thought it made a good story. So we’ve decided to get a second opinion.”
Alice calls out. “Isaac, can you come in here?”
A moment later an unfamiliar Old Guy with auburn hair walks in. No, not an Old Guy.
He has light skin and blue eyes, and at first Jemma thinks that one of the Biters has followed them through the Dead Lands. But he’s dressed like the Old Guys, and they treat him like one of their own.
“You never said you had other kids here,” Lady says.
“Isaac is a resident here,” James says. “He’s a bit of an expert on the Haze.”
How? Even Pico and Grease, the smartest kids she’s ever met, can barely keep up. Isaac steps closer, closer, until he’s at her side. He leans forward, and his nose is almost at her nose. He looks into her eyes. His are deep, somehow ageless. Like they’ve seen everything.
“No,” he says, and walks away.
“Whaddya mean, no?” she says, furious. “I can prove it to you!”
“Yeah? How?” he says, pausing.
Jemma scrambles for ideas. She can’t predict when the visions or voices will come, and besides, he’d just think she were making them up. She’s not sure if she could make the Lectrics light up again like they did in the Night Mountain. But there is one way, one that has never failed her yet.
“Isaac,” she says. “Fight me.”
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